Super Bloom, the Sequel, 2017 (Anza Borrego Edition)

Ok, I might have missed the peak of the bloom by a week or two. We spent the first weekend of April in Anza Borrego, a state park in eastern San Diego County. It’s hard to time these things just so. No matter! The desert was at it’s most beautiful and colorful this spring.

The perfect timing for desert wildflower blooms is hard to pin down. The seeds of some plants can remain dormant for years and then when the just right amount of rain happens (after six years of drought in California, for example), at just the right time, with  just the right amount of sunny and warm days after (but not too hot too early!), some of these dormant seeds that have been patiently waiting spring into germination and the normally sandy, rocky and dun colored desert landscape erupts into color. Other long-lived plants, like Prickly Pear Cactus and Ocotillo, also take advantage of the additional moisture and push out their own blooms to rival the annual wildflowers. Pollinators like insects, birds and bats feast on nectar and help to pave the way for a new generation of seeds which may have to wait for our next perfectly wet winter… Will it be next year? We’ll have to wait and see.

What happened to the original Super Bloom post (2016, Death Valley edition)? I realized I never posted the photos! I’ll do that soon and add a link here.



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Cornerstone Sonoma

This gallery contains 9 photos.

Gardens are funny things. They are of nature, but not natural. They are the results of unseen human hands and, mostly, scaled to a human-sized experience. Sometimes the gardener’s hand is more hidden; other times, it is much more apparent. Along the … Continue reading

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Petal Drop LA (02) – The Jacaranda Edition

Something magical happened the last weekend in May. A Cemex concrete plant was converted into a jacaranda blossom processing factory and a mysterious message appeared along the LA River. A few smaller scale vignettes were sprinkled between the two main sites. As this … Continue reading

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Sierra Madre *Wistaria Festival

I’ve lived here most of my life and have never had a chance to get to the Wistaria Festival in Sierra Madre – until today! It only happens one day each year. The single plant, which is more than 100 years old, is on private property (it actually spans two properties), and the owners generously let the public in to view the vine every year in March, when it is at its peak bloom. The plant engulfed the original house it was planted near and eventually caused it to collapse (it was demolished in the 30s). The house had already been abandoned to the vine by that time and the owners had built a new house a couple of hundred feet away. Now the vine is supported with a network of posts and pipes that help to give it some structure. It is listed by the Guinness Book of World Records as “The World’s Largest Blossoming Plant” and it is estimated to weigh 250 tons.

Here are a handful of photos, but there is no way to capture the magnitude of the Wistaria in a picture or a hundred pictures. It’s massive and grand. The other thing that can’t be captured in photos is the lovely fragrance. For that, you have to pay a visit yourself – March, 2017 will be your next opportunity.


* Yes, that’s how they spell it.

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Petal Drop LA (01)

From the anonymous, rogue artists that brought the Griffith Park Tea House to L.A. last summer, Petal Drop happened today in a tiny alley off of Broadway.

When we arrived close to dawn, the city was still quiet. Aside from sleeping homeless people wrapped in blankets and nestled in doorways, the sidewalks were mostly empty along the few blocks we walked to reach the metal door. As the daylight intensified, so did the hustle and bustle of the street, a crowd began to gather, a stream of city buses passed by, rattling shopping carts with staticky, blaring radios were pushed along. The line that formed was a bit of a fashion parade with cute, small dogs being one of the most popular accessories on display. We waited in line for a while (with our own dog, too large to carry, at the end of a leash) for our chance to enter the alley . The mood was upbeat and friendly There was a sense of exception and mystery. People introduced themselves and made small talk while the dogs sniffed each other, their own version of small talk.

Eventually it was our turn to enter the alley, in groups of about a dozen (we took turns while one of us waited outside with the dog). In a skinny, leftover gap between two buildings, not much wider than the door you entered through, a confetti of rose and cherry petals wafted down from above, swirling through the diffused natural light from the gauzy, white sky overhead, an open sliver between the rooflines four stories high. It was instantly peaceful and quiet, the familiar noises of the city street just a few yards away drowned out by the soft clicking of petals hitting various surfaces and a typewriter tapping from a fire escape landing above. No one spoke above a whisper. An element of theater, a few mute workers going about the business of alley, transported us to another world as if stepping into a play in progress. Visitors were handed small clipboards and asked to write their memories of Los Angeles, which would then be filed away for safe keeping. After 10 minutes or so, a soft bell encouraged us to leave the alley to make room for the next set of visitors. We arrived back on the sidewalk with a few petals scattered in our hair  as mementos of the experience.

The softness, lightness and pink-ness of the flower petals was a contrast to the hard materials that form the building blocks of the urban environment. But those materials are natural, too: metal mined from far underground and forged with intense heat; brick and concrete made of sand, cement, clay and water, also dug and scooped from the earth itself. We manipulate these basic elements to create the rigid world we live in and feel like we are in control. Then we pine for a sense of nature that is untouched by human hands, that is beyond our control and that can surprise us and make us feel small again. But we are not separate from nature, we are nature (which reminds me of my favorite billboard, “you are not IN traffic, you ARE traffic”).

In one of the largest cities in the world, art has the ability to transform a “worthless” space into a sublime and transcendent experience shared by former strangers who are now connected by this event. It is a genuine gift by a collective of artists who love Los Angeles and generously share their vision, ideas, resources and time with us, accepting no credit for their work and expecting no compensation for what they provide.

Tomorrow, the alley will go back to its normal state, hidden from view, empty, vacant and  soon forgotten. Today, it was a special place that brought people together to enjoy a few moments of peace and beauty. Hopefully the “(01)” in the title of the project means we can look forward to version (02), yet to come….











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L.A.’s Urban Forest is in Trouble

A client of Echo Landscape Design was interviewed recently on NPR about the effects of the drought and lawn removal programs on our city’s trees. She’s in good company! Don Hodel (a tree expert in L.A.) and Aaron Thomas (with North East Trees) are also part of the interview. Sadly, it’s been reported that 14,000 trees in the City of L.A.’s parks have been lost within the last year due to the drought conditions.

It’s true that Julie removed a couple of trees from her front yard in preparation for redoing her landscaping to make it more drought-tolerant. She still has an enormous oak tree, three big Chinese elms and a couple of smaller trees on her large corner property. Getting rid of the lawn is one of the best things you can do for the majestic oak tree. The new planting scheme is full of large clumping grasses and flowering shrubs that provide shelter and forage to a wide array of wildlife, including butterflies, bees and hummingbirds – something the old lawn did not do at all – and that use far less water. And those two trees that were removed have been replaced with 16 new trees on the property! It’s definitely a net gain for the urban forest. The new trees will need irrigation to get them established. In return, they’ll provide shade (which helps lower energy usage and carbon emissions), help clean the air by absorbing pollution and carbon dioxide and also help to keep water in the ground during storm events, rather than letting it run off into the storm drain system where it is lost to the ocean.

You can hear the interview here.

Some of the new trees to be planted

Some of the new trees to be planted

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Fruit & Tea : Clay & Wood : Earth & Fire

Within the past week, LA has been gifted two beautiful pieces of public art that, in some ways, could not be more different from each other, but that both embody a huge spirit of generosity by the artists who created them.

In the middle of the urban streetscape, in Echo Park, artist and instructor Katrina Alexy gave nearly six months of her own time sitting on a sidewalk on Logan Street, wearing a huge straw hat and piecing together a colorful mosaic mural to celebrate the Echo Park Farmers Market and the healthy foods that can be found there. She used thousands of vintage tiles that were otherwise destined for the landfill. She enlisted the help of the neighbors to create new fruit-themed tiles for the various medallions that were incorporated into the design. She made friends every day she was there, getting to know the passersby, including people that brought her gifts of corn and cushions to sit on as well as words of wisdom, encouragement and thanks.  Regular visitors included kids and abuelitas, the well-to-do and the homeless and everyone in between. Even Erykah Badu stopped by one day. When the mural was finished, it was celebrated last week with a very public unveiling  on the day of the farmers market and included speeches by the artist along with city councilman Mitch O’Farrell and other local notables. A mariachi band added to the party atmosphere.

More on the mural can be found on the Eastsider “Close Encounters of the Echo Park Kind”.


Artist Katrina Alexy



Katrina Unveiling

The Big Reveal

Just three days later, a rogue band of anonymous artists pulled off an amazing caper, installing a lovingly-crafted, Japanese-inspired tea house tucked into a nook in Griffith Park. The structure was built off-site, over a period of more than 6 months, by skilled artists, designers and wood workers. It was erected without permission, under cover of night – but by the light of a full moon – on top of an existing concrete foundation that had been left unused for years. The materials the tea house was built from, very much of the place itself, were considered waste – remnants of trees burned in the 2007 Griffith Park fire as well as felled redwood trees destined for the mulch pile. They were removed from the park when they were considered trash and then returned to the park as beautiful objects that together create a structure much greater than the sum of its parts. The opening ceremony, a sunrise tea service and opera performance, was attended by a small, intimate group of invitees. Sadly, there is already talk of park officials removing the unsanctioned structure, despite how well and how immediately it has been embraced by the community of people who spend time in the park and by the city at large.

More info on the tea house can be found on the LA Times, here and here, as well as on Twitter @GParkTeaHouse. (Please sign the petition to convince the city to let it stay.)

I made no contribution to either project, but I am proud to call the artists who created these amazing pieces my friends. I am grateful to them for their generosity and hard work as well as their vision and creativity. I share their love of Los Angeles and am awed by their commitment to make it a better place for all of us who share this city.

I hope you will visit both pieces of art, to enjoy them and pay respect to those who create them. Then consider ways in which you personally can contribute to our big, messy, confusing and vibrant city. Everyone has gifts to share, no matter how large or small; they all add up into a better place for us to call home.


Hikers Visiting the Tea House


P-22 as a Griffin

P-22 as a Griffin

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